Thursday, November 8, 2007
Wednesday, September 12, 2007
Wednesday, August 1, 2007
Tight Shots
Lena Dunham is my favorite young director. She is smart in her perversity - and has created an ensemble cast comfortable in their strange and funny improv. The result sometimes shocks and almost always amuses.
You can see more of her work at pistolskillponies.com.
Thursday, June 21, 2007
Wednesday, May 16, 2007
The Ceramacist
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Thursday, May 10, 2007
Word to the Mothers
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Monday, April 23, 2007
Orna-Mental Floss
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The Wishes of Fishes
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Monday, March 12, 2007
Cooking Chicken with Patti Davis
Yes, that's what I was doing until just moments ago - making chicken fried steak, actually - in a garden with my friend kate and patti davis, daughter of ronald and nancy reagan - who had a gift for garden cooking, but was certainly not wearing a bra of any kind. every time she'd lean over to stir the gravy, i'd get a big helping of a now deceased president's daughter's boobs. not very attractive, i might add.
it's 4 in the morning. i've taken a sleeping pill, but in the meantime, thought writing in a blog would be the perfect activity for the delirious.
oh wait, i think i hear patti davis calling me.
she says she also made apple pie! so i gotta go.
but if you're still up and in in the mood to travel to outer space, i recommend this to whet your appetite.
Thursday, February 8, 2007
Sunday, February 4, 2007
Phone Hug: The Audition
Being an actor is hard work - and auditioning is the worst of it. You have to act like you're in a flaming car crash trapped under shattered glass and metal and a heavy glove compartment that is pinning your legs and the whole car is being crushed by a 300 year old Elm tree with fangs and all you have as an actor at your disposal is a metal folding chair. Here is an auditioning scenario, unlike that just described, yet somehow just as horrible.
Thursday, January 25, 2007
The Cup is Half Empty, The Cup is Half Full
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Wednesday, January 24, 2007
The Pigeon
Tuesday, January 23, 2007
State of the Union
Monday, January 22, 2007
She'll Never Wash Her Hands Again
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I had such an experience on Friday night. I was at the film house. I had just finished watching a film about the evil ways of women. Bah! Feeling dizzy from the wily behaviors of the female, undernourished and overly hydrated, I went to seek refreshment of various kinds. After buying a box of snow caps on my way to the bathroom, a friend of mine mentioned that she’d seen a swan. I hit her with my box of snowcaps, and proceeded into the women’s bathroom – that den of long lines and iniquity. After several minutes of private time with my pants down behind a metal door, I emerged to wash my hands. My friend emerged to wash her hands at the sink as well. And then the third metal door opened – and out popped Bjork. The swan! She was dressed in fuchsia – like a toreador in the powder room – with white piping and ruffles all about her smallish, elfin person. I wanted to kiss her - grab her tiny head in my hands and give her the gift of a kiss that I could only muster for a woman of her caliber. This would be my thank you for all she had given me – the countless words and melodies, the reassuring beats. But she scurried off, the shy bright pink extrovert, into the night of the theater. My friend noticed she hadn’t washed her hands. The swan had left her hygiene song unsung.
Sunday, January 21, 2007
Begin the Beguine
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I was invited to a party last week - the type of party I never should have been invited to. I am of the boxed wine and first-class processed cheese ball party variety. This party was not such a party - it was a rather fancy gathering of New York literati types. You know the type - or at have imagined them - with their impressive eyeglasses - the severe and artful plastic frames that look German or gay - they somehow suggest that whoever is wearing them is curating some gay exhibit at a German museum. Ah, them - with their bundles of grapes and thoughtful scowls - the well-timed throwing back of the head. They who write for Karper's, The New Forker and The Paris Redo. Walking into the room they know how to dangle their participles.
I, on the other hand, have no clue what to do in these situations. I have not read the Times today. Nor have I read anything else for that matter in over 3 months. I did eat a delicious sandwich for lunch and hope that if given the opportunity to engage in conversation, that this sandwich will carry me through for a good 2 to 7 minutes.
And I was given just such an opportunity to regale the dance critic for The New Forker, who it turns out was actually the dance calendar compiler for The New Forker, with my many sandwich tales. After wrapping up my lunch food speech, which thanks to the help of vodka and club soda - more the vodka, less the club soda - was a real unleashing of party conversation poetry. Having warmed up the air and trying to find a way to connect with this great critic of dance, I told him a story about how I was a tap dancer when I was 12. That I learned to tap dance because I thought that would be the basis for a great career as an entertainer. As long as I could do a little heel-click-toe, everything else would fall into place - the movie roles, the repeat guest appearances on the late show, the public radio interviews. The Gregory Hines of white men said, "Isn't that a bit anachronistic?" And I smiled awkwardly, craving a little sliver of a cheese ball on a friendly cracker and trying to remember the definition of the word 'anachronistic'.
Thankfully his friend walked in. This guy was named Josh. He said he'd made a movie. It was a good movie - one about smuggling drugs in one's intestines in airplanes. Gregory said Josh had smuggled drugs to pay for the making of the movie. A point for Mr. Hines - who could, after all of that dance calendar creating, be funny.
I suggested the name of the drug smuggler's movie could be used as a name for a new sexual position involving two women. This didn't go over well with the witty dancer or the law-breaking filmmaker. So I turned around, pushed my way through the bespectacled gorgeous men and women of literature, dashed to the emergency exit and into the subway - which I took to the ugliest stop I could find. Once there and noticing how hungry all the banter and talk about sandwiches made me, I found the dirtiest DcMonald's in America full of crazier people than I'd seen since my days of working in that lock-down psychiatric facility in Sylmar. I did a little soft shoe and ordered a cheeseburger with no meat. Like walking up to my own front door with the mat in front of it that says, 'Welcome home'.
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