Thursday, January 25, 2007
The Cup is Half Empty, The Cup is Half Full
In a moment of fleeting yet genuine generosity, I decided to give a little this morning in the subway station. The air was bitter cold. A man with no teeth, probably from meth, sat on the steps of the subway exit at Broadway-Lafayette. He looked sweet, in that no tooth sort of way - a kind of gummy innocence, his lips disppearing into his mouth - making him seem elderly and somehow almost holy. Seeing his toothless smile and hearing his reasonable request for "a little spare change", I remembered I'd found two dollars on the street a couple of days ago. I put those happy, found dollars in my pocket when I discovered them, knowing someone had lost them - and the only way to make that right would be to give those dollars to someone who really needed them. And here was my chance. All of the variables were in place - me, the coat, the homeless person, and the found money. I reached into my pocket and grabbed the bills. In one quick turn of my wrist, they were in the homeless man's cup. Tada!
His eyes grew very wide. He thanked me. And then he and I both realized what I had put in the cup - his was an exclamation of "Praise God!" Mine was more of an "Oh, shit." It appeared I had done away with the two dollars - and somehow replaced them with a twenty. The twenty was in the cup! I paused briefly, about to reach down to the homeless man, connect with him for a secon, tell him I had only intended to put two dollars in the cup, a generous amount, I thought. He would understand. I bent down to whisper in the man's ear, "Mind if I just switch this out? I meant to give you two, and I accidentally gave you this twenty. You see, now you have more money than I do. You understand, right?" And as I bent down, fingers pinched to retrieve from the dirty paper beverage container, a voice in my head said, "Don't. Just walk away. This was an act of God meant to humble you and make you keep better track of your bills. Get a better wallet and stop putting $20's in your coat pocket. And with any luck, you will laugh about this later."
Wednesday, January 24, 2007
The Pigeon
This is the pigeon - he is arguably the cutest animal of any species on this good earth. This kitten is so cute, my friends are trying to steal him. Everyone wants a piece of this little guy - and for good reason. Being around him is like a fresh release of sweet, loving endorphins. He is a doughnut factory of the soul. The pigeon lays golden eggs of cholesterol-free happiness. To you, my friends, who want this cat, I say, "I know. I understand. But it's not going to happen. Good thing I know where you live."
Tuesday, January 23, 2007
State of the Union
Monday, January 22, 2007
She'll Never Wash Her Hands Again
New Fork is famous for meeting famous people. And if you don’t meet them, at least you get to see them out of the corner of your eye while you’re crossing the street or are in a shop – and you get the chance to pretend they’re not there, just like everyone else you don’t care about. This is the beauty of New Fork. Acting understated and listless when all you want to do is whip out your digital camera and jump up and down and point.
I had such an experience on Friday night. I was at the film house. I had just finished watching a film about the evil ways of women. Bah! Feeling dizzy from the wily behaviors of the female, undernourished and overly hydrated, I went to seek refreshment of various kinds. After buying a box of snow caps on my way to the bathroom, a friend of mine mentioned that she’d seen a swan. I hit her with my box of snowcaps, and proceeded into the women’s bathroom – that den of long lines and iniquity. After several minutes of private time with my pants down behind a metal door, I emerged to wash my hands. My friend emerged to wash her hands at the sink as well. And then the third metal door opened – and out popped Bjork. The swan! She was dressed in fuchsia – like a toreador in the powder room – with white piping and ruffles all about her smallish, elfin person. I wanted to kiss her - grab her tiny head in my hands and give her the gift of a kiss that I could only muster for a woman of her caliber. This would be my thank you for all she had given me – the countless words and melodies, the reassuring beats. But she scurried off, the shy bright pink extrovert, into the night of the theater. My friend noticed she hadn’t washed her hands. The swan had left her hygiene song unsung.
Sunday, January 21, 2007
Begin the Beguine
I was invited to a party last week - the type of party I never should have been invited to. I am of the boxed wine and first-class processed cheese ball party variety. This party was not such a party - it was a rather fancy gathering of New York literati types. You know the type - or at have imagined them - with their impressive eyeglasses - the severe and artful plastic frames that look German or gay - they somehow suggest that whoever is wearing them is curating some gay exhibit at a German museum. Ah, them - with their bundles of grapes and thoughtful scowls - the well-timed throwing back of the head. They who write for Karper's, The New Forker and The Paris Redo. Walking into the room they know how to dangle their participles.
I, on the other hand, have no clue what to do in these situations. I have not read the Times today. Nor have I read anything else for that matter in over 3 months. I did eat a delicious sandwich for lunch and hope that if given the opportunity to engage in conversation, that this sandwich will carry me through for a good 2 to 7 minutes.
And I was given just such an opportunity to regale the dance critic for The New Forker, who it turns out was actually the dance calendar compiler for The New Forker, with my many sandwich tales. After wrapping up my lunch food speech, which thanks to the help of vodka and club soda - more the vodka, less the club soda - was a real unleashing of party conversation poetry. Having warmed up the air and trying to find a way to connect with this great critic of dance, I told him a story about how I was a tap dancer when I was 12. That I learned to tap dance because I thought that would be the basis for a great career as an entertainer. As long as I could do a little heel-click-toe, everything else would fall into place - the movie roles, the repeat guest appearances on the late show, the public radio interviews. The Gregory Hines of white men said, "Isn't that a bit anachronistic?" And I smiled awkwardly, craving a little sliver of a cheese ball on a friendly cracker and trying to remember the definition of the word 'anachronistic'.
Thankfully his friend walked in. This guy was named Josh. He said he'd made a movie. It was a good movie - one about smuggling drugs in one's intestines in airplanes. Gregory said Josh had smuggled drugs to pay for the making of the movie. A point for Mr. Hines - who could, after all of that dance calendar creating, be funny.
I suggested the name of the drug smuggler's movie could be used as a name for a new sexual position involving two women. This didn't go over well with the witty dancer or the law-breaking filmmaker. So I turned around, pushed my way through the bespectacled gorgeous men and women of literature, dashed to the emergency exit and into the subway - which I took to the ugliest stop I could find. Once there and noticing how hungry all the banter and talk about sandwiches made me, I found the dirtiest DcMonald's in America full of crazier people than I'd seen since my days of working in that lock-down psychiatric facility in Sylmar. I did a little soft shoe and ordered a cheeseburger with no meat. Like walking up to my own front door with the mat in front of it that says, 'Welcome home'.
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